Tuesday, January 31, 2017

Dardanelle: Piano, Vibes + Voice

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Before Beyoncé, Madonna and Cher, there was Dardanelle. Billed solely by her first name starting in the early 1940s, Dardanelle was an enormous talent. She could sing and play jazz piano and vibes, appearing at New York's tony cocktail bars and lounge settings in the 1940s and '50s. Dardanelle had enormous grace and spirit on both instruments and, as a singer, she was good enough for Lionel Hampton to use her at the Cafe Zanzibar on West 49th St. when Dinah Washington was ill. Dardanelle was her stage name.

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Born on Dec. 27, 1917 in Avalon, Miss., Marcia Mullen was groomed as a child to become a concert pianist. Her father never studied music and couldn't read it, but he could play anything if he heard it once, especially ragtime. Dardanelle in later years would credit her father for her impeccable execution.

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Dardanelle's Carnegie Hall aspirations were dashed when she came down with polio, which weakened her left hand for the demands of classical music. At Louisiana State, she majored in music and played at the local radio station. When she came to New York in the early-1940s, Dardanelle was signed by Joe Glaser, Louis Armstrong's manager, who booked her into society clubs such as the Copacabana. During this period, she toured with a trio that included guitarist Tal Farlow. In 1946, Dardanelle was signed by RCA and recorded both lush mood piano and jazzier fare akin to the Nat King Cole Trio.

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In the mid-1950s, Dardanelle moved to Chicago and was on staff at WGN-TV. She eventually worked on the station's children’s show Lunchtime Little Theater, where she was known as Aunt Dody. From the early 1960s until the late '70s, Dardanelle was off the scene raising a family. Then in the late 1970s, she moved to New Jersey and began appearing again at New York clubs with a trio that included her son “Skip” Hadley on drums. She also performed and recorded with guitarist Bucky Pizzarelli, bassist George Duvivier and drummer Grady Tate. She toured in the U.S. and abroad, and appeared at festivals.

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In 1984, Dardanelle moved to Winona, Miss., where she performed and recorded locally, and was an artist in residence at the University of Mississippi. Dardanelle died Aug. 8, 1997 in Memphis of complications following heart surgery. She was 79.

Here are some of my favorite Dardanelle clips and tracks:

In 1946, Dardanelle appeared in a few odd, quasi-stag video jukebox soundies that featured dancing girls and her trio. Here's Happy Cat...

Here's Backtrack...

Here's Dardenelle singing and playing September Song in 1946...

Here's Dardanelle in 1950 playing Laura from the Piano Moods series on Columbia...

Laura

Here's Dardanelle in the 1970s playing and singing I Thought About You...

Here's Dardanelle in the 1970s singing and playing When in Rome...

And here's Dardanelle on Marian McPartland's NPR radio show Piano Jazz in 1984...

A special thanks to Kevin Reitmann.

       


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Five Tips for Choosing Anti-Fog Eyewear [Photo Gallery]

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Monday, January 30, 2017

Chet Baker: Cold Trumpet

In 1959, trumpeter Chet Baker was in Europe touring and recording. An addict since the early 1950s, Baker found scoring drugs abroad relatively easy. When his connections in Italy dried up, he began visiting doctors, complaining of headaches and leaving with charitable prescriptions. From May through July 1960, Baker filled 23 prescriptions for Palfium—a narcotic three times more powerful than morphine but shorter-lasting—from a single doctor in Lucca, to be dosed through a syringe.

In the summer of '60, Baker overdosed and was detained in Lucca along with the doctors who had been supplying his habit. In April 1961, Baker was convicted and sentenced to 16 months in prison but released in December. He found studio and film work in Italy and remained there until 1964, when he was busted in Germany and deported.

During his time in Italy, Baker made a surrealist film in 1963 directed by Italian filmmaker Enzo Nasso. The short movie was called Tromba Fredda (Cold Trumpet). While the film is a bit heavy and stale by today's standards, we do get to see a disheveled, demon-riddled Baker performing a role and hear his original score...

A special thanks to Jim Moore



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Workers at Hanford Nuclear Site Could Get Protection During Clean Up

Workers at the largest nuclear contamination site in the United States could get immediate treatment for certain illnesses stemming from their work environment if state legislation passes.

Exposure to harmful vapors and nuclear waste is an everyday occurrence for employees stationed at the Hanford Reservation in Washington.

State lawmakers are calling for United States Department of Energy workers, contractors and subcontractors to be protected and treated for certain occupational diseases directly attributed to working with radioactive material and toxic substances.

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Omaha Public Works Employee Dies After Being Struck By Vehicle

Salvatore Fidore dies despite wearing the proper protective equipment and safety precautions.

Despite wearing the proper protective equipment, Salvatore Fidone was hit and killed while performing road repairs on Monday, Jan. 23.

The 48-year-old Omaha, Neb. public works employee was patching a pothole when a Toyota Camry swerved into the lane Fidone was in and struck him, according to news reports. He was transported to a local hospital and passed away on Friday, Jan. 27.

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Sunday, January 29, 2017

Hod O'Brien Meets Sal Nistico

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Jazz was in a strange place in the 1980s. I remember being fresh out of college and working my first job at The New York Times. There were plenty of clubs in town, but other than the big ones where legends performed, the scene was fairly run down and thin on young people in the audience. The excitement of fusion in the 1970s had led to synthpop and funk in the '80s, and the action was all on MTV and in arenas. Smaller pop acts commanded big fees and full houses at clubs in Greenwich Village, but acoustic jazz musicians trying to earn a living had it rough, and recording opportunities were drying up for them. [Photo above of the late pianist Hod O'Brien with his wife, Stephanie Nakasian]

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Many American jazz musicians headed off to Europe, where they were adored at an endless hive of clubs in major cities. Europe still had sophisticated taste and hadn't experienced the youth-culture overhaul that the States did. In short, radio was tightly regulated there and didn't play as big a role in shaping the culture as in America. In Europe, American jazz musicians found a sanctuary and compatriots. Many artists had moved there in the '70s and established beachheads while those who still lived in the U.S. found plenty of touring opportunities there with solid local sidemen.

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Two American musicians who found themselves in Europe in 1986 were pianist Hod O'Brien and tenor saxophonist Sal Nistico (above, by Joe Knaepen). Backed by Harry Emmery on bass and John Engels on drums, O'Brien and Nistico appeared at the Porgy & Bess Club in Terneuzen, the Netherlands, on Dec. 13, 1986. Fortunately, Joop van der Leij was there as well. Joop has always been a big Hod O'Brien fan and a gifted recording engineer. Over the years, he taped virtually everything O'Brien recorded in Europe between 1984 and 2015 with O'Brien's permission and gratitude. He also prepared a complete O'Brien discography. O'Brien died in November 2016.

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Last week, O'Brien's wife, singer Stephanie Nakasian, sent along Hod O'Brien Meets Sal Nistico: Live From the Netherlands, recorded by Joop in Dec. 1986. The album features seven tracks—Quasimodo, But Beautiful, Airegin, Indian Summer, Minority, My Old Flame and I'll Remember April. Nistico had mellowed a bit by 1986 but he still had a sharp bite in his attack and was fleet in technique. The big surprise though is O'Brien.

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On this album, O'Brien (above) exceeds even himself, providing us with exceptional examples of what made his playing style and solos so exciting. I found I couldn't wait for O'Brien to solo on each track. The sheer beauty and fluidity of his playing is unmatched on his other recordings. I'm hard pressed to name another live O'Brien album that exceeds this one. It was a great night for him. As Stephanie said to me last night by email when I told her my thoughts, "That's what Hod said when he heard the tape. He said, 'I think its some of my best playing. I wish we could release this.' So we did."

Jazz has plenty of selfless heroes—those who recorded artists in their prime so we have evidence of their miraculous abilities. Joop is one of those heroes. So is Stephanie.

JazzWax tracks: You'll find Hod O'Brien Meets Sal Nistico: Live From the Netherlands here.

JazzWax clip: Here's I'll Remember April...

I'll Remember April

      

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Friday, January 27, 2017

Melissa, Marcos and Maynard

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In The Wall Street Journal this week,
I interviewed singer-guitarist Melissa Etheridge for my "House Call" column (go here). Melissa, who has won an Oscar and a Grammy, started playing professionally at age 12. Her new album, Memphis Rock and Soul is terrific. Here's Melissa singing Respect Yourself from the album...

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For my WSJ "Playlist" column,
I interviewed Brian Tyree Henry who stars in Atlanta (go here). His favorite song is But Not for Me by Chet Baker in 1954 for tragic reasons.

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Bossa Nova.
New York's Birdland will host two bossa nova legends on Feb. 7-11—keyboardist and singer-songwriter Marcos Valle (Summer Samba, The Face I Love and many more) and guitarist and singer-songwriter Celso Fonseca. Produced by Pat Philips, the showcase brings to New York the pure sound of the legendary music by the artists who play it best. Also joining the pair will be vocalist Patricia Alvi, famed Brazilian drummer Renato Massa, the amazing Itaiguara Brandao on bass and exciting trumpeter Jesse Sadoc, all from Brazil. For more information, go here. Here's the music and feeling you'll experience...

Here's Celso Fonseca singing his Slow Motion Bossa Nova...

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Johnny Hartman radio.
On Sunday at 9 a.m. (EST), Danny O'Bryan will be airing his 1978 interview with singer Johnny Hartman on his Jazz Insights radio show on WFPK in Louisville, Ky. Tune in from anywhere in the world on your computer by going here.

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Roy Eldridge radio.
WKCR-FM in New York will be airing its annual "Roy Eldridge Birthday Broadcast" on Monday Jan. 30, celebrating the career of the legendary jazz trumpeter. The show will play Eldridge's music for 24 hours, starting Sunday night at 11:59 PM (EST), and continuing all day and night on Monday. You can tune in from anywhere in the world by going here.

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Maynard Ferguson.
Saxophonist Bill Kirchner sent along a link to a super Maynard Ferguson discography. Go here.

What the heck: Here's the late Mary Tyler Moore singing One for My Baby...

Oddball album cover of the week.

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I'm unclear why a woman being kissed would be delighted to see a lens in her face, but there you have it. As imagined, this album of early '50s movie themes is pretty dreary...

       


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